The Joshua Trinidad Quartet

October 6, 2021



Joshua Trinidad – Trumpet

David Cieri – Piano

Mike Brown – Bass

JJ Fajardo – Drums


Audience members must show proof of vaccination upon arrival. If you plan on attending this event in person, please read the “audience notes” tab below. Video on Demand will be available for three days after the show. Tickets are non-refundable.


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Streaming Notes: MUST READ

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In-Person Audience Notes: MUST READ

We are excited to welcome you back into our space. Attendees must wear masks and show proof of vaccination upon arrival. Please read our Covid Safety Protocol page for a full list of guidelines.

About Joshua Trinidad

Joshua Trinidad is a Mexican-American trumpet player, composer and producer, who takes multiple styles of music such as jazz, ambient, rock, electronic and lo-fi, as well as elements from hip hop and effortlessly reshapes them into a unique soundscape.


His remarkable ease in handling the often-contrary conventions of “jazz” ensured a strong interest in both acoustic and electric music. This chameleon-like ability soon established him as a much sought-after musician in the southwest region of the United States as well as in Europe and Central Asia, ultimately led to his colorful and diverse resume as a sideman. During his time recording and performing in Scandinavia, Joshua Trinidad was introduced to Giacomo Bruzzo, who welcomed him into his prestigious and much-lauded roster RareNoise Records in London, England. Alongside recording Joshua’s own material, he has recorded many studio sessions with artists such as Sage Francis, Chicano Batman, Nathaniel Rateliff, Riatsu and Umlaut. Joshua Trinidad is also a thriving artist on the Subcontinental Records label in Bangalore, India by visionary Arun Natarajan. 

-JazzTimes 2019

About David Cieri

DAVID CIERI, a musician and composer, makes music for film, concert, and album release. Cieri has worked with numerous celebrated filmmakers including Ken Burns, the Ewers Brothers, and Barak Goodman. He has recorded nine acclaimed albums under his own name, that last three of which were released by Ropeadope Records. He has collaborated on a major live documentary project with the two-time Pulitzer Prize-winning playwright Lynn Nottage and has made two records with the Pulitzer Prize-winning poet Yusef Komunyakaa. David wrote and performed the live scores for the first two seasons of The Paris Review podcasts. He teaches courses on Film Scoring and Music for Film at The City College of New York.

About Mike Brown

Mike Brown currently lives in Brooklyn, NY – specializing in “New/Avant-Garde Music” and “extended techniques” he leads May the Bridges I Burn Light the Way and is part of the Brown/Jewell duo along with many other groups including Kotorino, Wheelchair Sports Camp, Keva, Charles Atlas, Now Over Ever, The Kerosene Ensemble, Fingerprint and can frequently be seen playing with David Cieri.

Along with performing and teaching, David Cieri’s film-score work includes Ken Burns’ The Vietnam War, (September 2017), The Roosevelts, The Address, Prohibition, Baseball: The Tenth Inning, The National Parks, Emperor of All Maladies, and his score for Raymond De Felitta’s Booker’s Place was listed for an Oscar nomination in 2013. He has recently completed scoring a documentary entitled, Oklahoma City which is out in theaters now. Cieri, along with longtime collaborator Mike Brown, composes the music for the monthly Gavagai music and reading series at The Owl Music Parlor in Brooklyn NY.

About JJ Fajardo

An artist and musician out of New York City, Jeffrey was born into a family of musicians, with a childhood that had a nurturing musical environment. Attending Berklee College of Music on a full presidential scholarship, Jeffrey’s professional career has been the foreground of all his youth and still continues to perform and tour throughout the US and internationally. With an eclectic listening background, Jeffrey’s drumming style incorporates Jazz, Rock, Funk, Latin, Hip-Hop, Reggae, Dubstep, Drum ‘n Bass, Afro-beat, Pop, Punk among all the new emerging music of today. Some say his approach is quite unique and essential for the progression of drumming in the 21st century.

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